Category: Events

Young musicians will be to the fore during a summer season of concerts to be held at several High Barnet venues including the parish church of St the Baptist.

Barnet viola player Inis Oirr Asano (above), who lives in Underhill, will be appearing with the Elmore Quarter during the High Barnet Chamber Music Festival in June.

Young students will be performing during the summer festival by Jack’s Lake at Hadley Wood which starts with a prelude concert at the parish church on Saturday 11 April.

The programme will include Vivaldi Four Seasons (Ilona Domnich, soprano; Charles Mutter, violinist; and Neil Varley, accordionist).

Summer concerts beside Jack’s Lake start in May and are in aid of the Monken Hadley Common Trust (see details below).

High Barnet Chamber Music Festival opens on Saturday 6 June with a free family concert at 3pm at St Mark’s Church, Barnet Vale, with flautist Hannah Gillingham and harpist Lise Vandersmissen.

Mad Song, a contemporary ensemble (see above) returns to the parish church with a programme themed around Fire and Water at 7.30pm on Saturday 13 June.

Music by Anna Clyne sits alongside works by other contemporary composers including Brett Dean and Richard Causton.

The Elmore Quartet, which has just won the Royal Overseas League string ensemble prize – with viola player Inis Oirr Asano – will be at the parish church at 7.30pm on Saturday 20 June with music by Ravel, Britten, Shostakovich, and Geyer.

The festival closes with a performance by The Portrait Players at the Friends’ Recital Hall, at Queen Elizabeth’s School, at 3pm on Sunday 28 June with music by Strozzi, Caccini, Leonarda, an Elton.

More details: https://www.hbcmf.co.uk/

The prelude concert promoting this summer’s music festival at Jack’s Lake – at the parish church on Saturday 11 April (doors open 6pm) – will include Vivaldi Four Seasons (Ilona Domnich, soprano; Charles Mutter, violinist; and Neil Varley, accordionist).

The summer concerts at Jack’s Lake are May 16 or 17; June 13 or 14; July 11 or 12; August 8 or 9.

The programme will include new arrangements for violin/viola, piano, accordion and voice, Habanera from Carmen, Piazzolla (Libertango and Oblivion), Hans Zimmer (Gladiator), as well as Grieg, Bellini, Gounod and Vivaldi (two Seasons, excerpts from Gloria and Tamerlano).

Jack’s Lake Summer Music Festival: https://ilonadomnich.com/projects/hadley-woods-festival-music-on-jacks-lake/

‘Prelude to Music by Jack’s Lake’ concert at St. John the Baptist Parish Church.

Saturday 11 April, 7pm Tickets £5 -£20 https://www.ticketsource.co.uk

North London’s concert band – Da Capo Concert Band – will be holding its summer concert at the Barnet parish church on Saturday 27 June.

Da Capo Concert Band: https://www.dacapoconcertband.co.uk

A special 263 Sunday service to Barnet Church – in support of Comic Relief – provided bus passengers a chance to step back in time and hop on board an iconic Routemaster.

Vintage buses plied the route from East Finchley to Barnet when North London Transport Events organised one of its popular charity services held three times a year.

Instead of paying a fare, passengers were asked instead to think of making a donation collected by the bus conductor.

Routemasters, which were built between 1954 and 1968 by AEC Park Royal Vehicles, were finally withdrawn from regular service in December 2005.

Watching a vintage 263 Routemaster climb Barnet Hill, turn at the church and then head back to East Finchley was an unusual sight (currently the 263 terminates at Barnet Hospital) — and was captured on camera by Stephen Bigley.

He said when Routemasters take to the road in support of fund-raising events, the organisers are always rewarded by seeing how local people are delighted to have a chance to travel on one of these classic buses

The ease with which passengers on a Routemaster can hop on and off was a moment to celebrated by bus enthusiast Helen Lewis who describes herself at Londonroutemistress (see above).

“Riding a Routemaster is such a contrast to today’s electric buses with their aircon and phone charging ports and a bell at every seat,” said Helen.

“There is no way of alerting the driver in advance that you wanted to get off if you were upstairs on the top deck, but let’s not forget how easy it was in those days to hop on and off.”

Helen has set herself a personal mission to travel every bus route run by London Transport. She researches a new route every week and then sets off.

A childhood dream about Punch and Judy led on to a lifetime’s interest in glove puppets which earned the accolade of professor for Barnet’s celebrated Punch and Judy puppeteer Geoff Barrett.

He can look back on fifty years’ entertaining countless generations of local children.

Geoff, whose background was in teaching ceramics, has always made his own puppets and in recent years he has crafted their heads from rubber, finding it a lighter material to work with when giving a show.

His Punch and Judy booth has been a regular sight at fetes, festivals and school events around High Barnet, East Barnet, Potters Bar and further afield.

Appearances at Barnet Christmas Fayre and summer parties on the green outside Barnet Parish Church or in the garden at Barnet Museum have regularly attracted appreciative audiences.

Recent ill health has forced Geoff, who is 77, to take it easy but he gave a performance at last year’s summer party for the residents of Byng Road, and he has every intention of setting up his booth for this summer’s get together and entertaining his neighbours and their children once again. 

Perhaps the greatest change since Geoff started giving performances in the mid- 1970s has been a softening in the traditional slapstick violence between Punch and his wife Judy and their baby.

Punch and Judy shows have their roots in the 17^th century Italian commedia dell’arte and the British tradition has always been considered naughtier, bawdier and funnier than their continental cousins, but the puppeteers recognise that times have changed.

“Gone are the days when Punch can beat his wife to death or throw the baby out of the window,” says Geoff.

“Slapstick is a quick and easy way for Punch to get rid of characters. A quick swipe, and they are gone, but we recognise that violence against women and the mistreatment of children is no longer a cause for amusement, whereas in the past it used to be.

“Today you cannot be cruel. So now Punch can be seen arguing with Judy, he might let the baby run away, and as Punch gets cross, off she goes to get a policeman.

“There might be a bit of fighting here and there with the policeman, and of course, once it appears, the crocodile can happily snap away with his jaws at all and sundry.

“When the clown leaves a string of sausages and Punch falls asleep, the crocodile can steal the sausages and Punch can get his stick out to give the crocodile a whack, so there is still no end of fun to be had but we Punch and Judy professors do our best to avoid frightening children or causing alarm.”

Geoff is a member of the Punch and Judy Fellowship, and puppeteers awarded themselves the title of professor as a way of upstaging other showmen such as the scientists of the 18^th and 19^th centuries who did magic shows and liked to call themselves doctors.

Punch Day is celebrated by the fellowship on the second Sunday in May with many professors doing numerous shows outside St Paul’s Church in Covent Garden where Samuel Pepys recorded the first performance of Pulcinella in 1662 – an annual event at which Geoff used to be a regular performer.

He has early memories of dreaming as a child about playing in a local park where there was a Punch and Judy booth, but for some reason the performance never started.

His childhood memories were still there when he studied ceramics at Cardiff College of Art.

He wanted to make figures which moved but found clay was not ideal and it was not until his wife Ruth – see above – joined a glove puppet class in Bristol that his interest was rekindled.

The couple moved to London in 1974 when Geoff was appointed a lecturer at Hendon College with a brief to set up a ceramics studio for teaching students.

“Ruth started attending a marionette class in London and I was really taken by them and started making some, but marionettes are loose-limbed figures operated with strings, and they didn’t really appeal to me.”

At the time Ruth was a youth worker, running summer schools for children at the Oakmere Centre in Potters Bar.

“She engaged a Punch and Judy performer and that was when I realised the superiority of hand puppets, which unlike marionettes can move quickly, handle objects or even hit other puppets with a slapstick.

“After all, Punch – or Pulcinella to give him his original name – was a marionette to begin with before becoming a hand puppet.”

Geoff started making puppets carved from wood and staged his first show at Goldbeaters School in Burnt Oak in around 1975.  The headmaster told him it went down well with the children and from then on Geoff was hooked on the world of Punch and Judy.

Over the years he has made various kinds of puppet heads. He found traditional wooden heads were too heavy; he tried papier mache and fibre glass but settled on latex which he finds the lightest and most flexible and allowed him to model in his preferred material clay from which he could make a mould to cast the latex.

Appearances came thick and fast: he remembers that on the day of Queen Elizabeth’s Jubilee in 1977 that he did four shows in Potters Bar. “Unfortunately, it rained so much that the decorated cloth fronting my booth shrank by about eight inches and people could see my shoes and ankles, which wasn’t what I had intended.”

In the decades which followed he reckons he must have entertained many children at parties, fetes and schools. Geoff has also given talks on the history of Punch and Judy.

One of the hardest tasks was finding the right way of holding inside his mouth the contrivance known as a swazzle through which a puppeteer can produce Punch’s distinctive squawking voice.

As Punch dispatches each of his foes in turn he squeaks his famous catchphrase, “That’s the way to do it!” from which the term “pleased as Punch is derived”.

No doubt there are countless local children who can’t wait for Professor Geoff Barrett to get back inside his Punch and Judy booth, to hear his raucous voice and to get ready to deliver the audience’s familiar shout, “He’s behind you!” to warn other characters of what’s afoot as the show proceeds.