Category: Events

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Wide array of attractions and refreshments promised for the return of Arkley village fayre and fun dog show

After the success of last year’s revived Arkley village fayre, the organisers are planning an even more ambitious event for Saturday 31 May at the village field in Brickfield Lane, Arkley.

An all-comers dog show will again be a highlight of what Hearts of Arkley are hoping will be another vivid demonstration of the friendly spirit and engagement within their community.

A host of events are being arranged including face painting, live music, children’s games plus a wide variety of refreshments.

The organisers are adding the final touches to the programme – seen above at the field village, from left to right, the Reverend Cindy Kent, vicar of St Peter’s Church, Arkley, Maureen Stevens, Karin Read, Iris Auburn and her dog Amber, Mel Garfield and Sue Rich.

Arkley Village fayre promises to be bigger and better than last year on Saturday May 31 starting at 12 noon

Last year’s fun dog show, which was run by Rachel Burke of dog groomers Beauty Barks of Borehamwood, has established itself as a firm favourite and once again locally owned rescue dogs might be among those competing for the rosettes.

Mel Garfield said they were determined this year’s fayre would be bigger and better than last May with an amazing array of attractions and hot food.

Raffle prizes will include items donated by Morrisons supermarket in Borehamwood which together with estate agents Statons is sponsoring the fayre.

For more information see www.arkleycommunityevents.co.uk or email info@arkleycommunityevents.co.uk

Proceeds from last year’s fayre are helping support several local initiatives including the construction of a safe, accessible entrance to the garden of rest of St Peter’s and the ongoing cost of maintaining the village defibrillator which is available for use 24/7 in Rockways, a cul-de-sac just off the Barnet to Arkley main road.

Karin Read, a trustee of the Arkley Association, said the fayre was the only summer event organised for the village and its revival last year had been widely appreciated by the local community.

Proceeds from the fayre also help to defray the cost of maintaining the village hall.    

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Barnet High Street about to become a much-admired showcase once again for the historic Battle of Barnet banners  

Recently restored and repaired medieval banners commemorating the 1471 Battle of Barnet will once again decorate the High Street during the summer months after Barnet Museum intervened with financial support.

A contractor will start the two-day process of hanging the banners from lampposts the length of the High Street from the evening of Monday 14 April – the 554th anniversary of the battle.

Each of the 76 heraldic banners illustrates the coats of arms of royalty and noblemen whose troops fought in the battle just to the north of Barnet on what is Greater London’s historic battlefield.

The return of the banners is a timely reminder of the annual Barnet Medieval Festival which is being held over the weekend of Saturday and Sunday June 7 and 8 at a new location on farmland off Galley Lane.

A 12-acre field will offer more space for Wars of the Roses re-enactments and camp sites for the opposing Yorkist and Lancastrian armies.

Organisers hope it will be the largest celebration in the town since the start of the recent events to commemorate the battle as more military re-enactors are expected to attend than ever before.

This summer’s re-appearance of the banners along the High Street had been touch and go because Barnet Council’s street lighting contractor told the museum that it was no longer able to afford the installation cost.

After the council found an alternative contractor who offered to do the work at a much-reduced rate, the museum agreed to fund the work from its reserves on a one-off basis.

Barnet High Street about to become resplendent once again with display of historic banners from 1471 Battle of Barnet

Museum trustee Scott Harrison – seen above in the museum’s shop in The Spires shopping centre – said there had been great uncertainty as to whether it would be possible to hang the banners in the High Street for what will be their sixth year on display.

“We have been so fortunate in the past in having the annual installation cost met by the council’s lighting contractors, but we were told earlier this year that the company had decided this was no longer a sustainable expense.

“Barnet Council found another contractor who would hang the banners at a much-reduced cost, but the museum is having to fund the bill of several thousand pounds.

“We have agreed to pay up this year, but we will have to find a sustainable source of funding. Perhaps we can arrange an appeal each year or find sponsors who will meet the cost.

“We do hope the people of Barnet value the banners so much that they will help to contribute towards the expense involved in hanging them along the High Street.”

As well as the 76 banners that will decorate the High Street, others from the collection of 107 banners will be on display in The Spires and at the museum.

A team of volunteers led by the museum’s deputy curator Hillary Harrison spent the winter repairing and repainting the banners. Those on display in the High Street are also reglazed each year to given them an extra coat of protection.

Each banner with its emblems or coat of arms belonged to an individual who took part in the battle and the challenge for the museum’s historians has been to bring to life each member of the royalty, nobility and gentry whose troops fought at Banet.

Sometimes symbols were used to represent people’s names or occupations and indicate their wealth and status.

The research conducted at Barnet – and so vividly displayed each summer in the High Street – has attracted considerable interested.

The latest group to visit Barnet for a walk along the High Street to identify – and admire the banners – are members of the Anglia Heraldry Trefoil Guild who are planning a visit in July.

Barnet Museum’s celebration and commemoration of the Battle of Barnet is not without cost. Currently the museum is applying to the National Heritage Lottery Fund for a £50,000 grant towards the cost of installing a new heating system and repairing leaky windows.

Because of the museum’s inability to maintain the correct humidity an exhibit on loan from the British Museum – displaying the Earl of Warwick’s seal and arrows from the Battle of Barnet – has had to be returned until the heating system has been fixed.     

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Barnet parish church hosts launch of historical novel by painter and art lecturer with a lifetime’s interest in paintings by Caravaggio

A lifetime’s fascination with the work of the prominent early Baroque painter Caravaggio has led to an unexpected twist in the career of High Barnet painter and art lecturer Keith West.

Because of his frustration at the failure of art historians to provide answers to unresolved questions about Caravaggio’s troubled life, West has written an historical novel – Caravaggio’s Boy – in which he explores the meteoric rise and fall from grace of the greatest Italian painter of his generation.

West is well known locally for his own religious paintings which over the years have been displayed at Barnet Parish Church, St Alban’s Cathedral, St Martin-in-the Fields, St Margaret’s Church, Westminster, and other settings and galleries.

His oil painting depicting the 1471 Battle of Barnet was unveiled at the Barnet Museum shop in 2019 during the 30th anniversary celebrations for The Spires shopping centre.

Holding the High Barnet launch of Caravaggio’s Boy at the parish church was an added honour because West’s painting Majestas Domini (Christ in Glory) is about to rehung in the parish church’s Ravenscroft side chapel which will also display his next painting, a newly commissioned Madonna and Child.

West (77), a long-time High Barnet resident, was formerly a lecturer and head of arts at the Camden Institute.

He came up with the idea of writing an historical novel about Caravaggio during the Covid lockdown, after his retirement from teaching.

“Since a teenager, I have always been fascinated with work of Michelangelo Merial de Caravaggio and his model Cecco de Caravaggio.

“I had acquired so much material during my research and preparation for lectures, that I realised I should have a go myself at answering some of the unresolved questions about his life.

“In the many books about Caravaggio, art historians offer their individual take on the who, when, where and what about Caravaggio, but they don’t answer the why, and they fail to explain why he became such a violent, touchy and provocative man.

“I realised I should not try to write another biography but attempt to fill in some of the gaps in Caravaggio’s life story and the background to the incidents that sent him into exile.

“By choosing the form of a novel I had the opportunity to speculate about the background to his paintings and the role of his favourite model, Francesco Boneri, who was known as Cecco.”

In recommending the book, the Very Reverend Jeffrey John, formerly Dean of St Alban’s Cathedral, said West had “imaginatively and convincingly” filled in some of the gaps in knowledge of Caravaggio’s life and that of Francesco, his model, student and lover.

“It is a rollicking story which vividly brings to life the violent contrasts of their time: the opulence and squalor, piety and corruption, sophistication and degradation of 16th and early 17th century Italy.

“Against this backdrop West’s expertise in art and art history gives fascinating insights into the genesis and genius of Caravaggio’s paintings.”

West’s painting Majestas Domini — which is waiting to be rehung in the Ravenscroft chapel at the parish church – is his reconfiguration of the famous Graham Sutherland tapestry, Christ in Glory, which is on display at Coventry Cathedral.

His commission for the painting came from the Rector of St Margaret’s Church, Westminster, where it was on show as part of the Festival of Christ the King in 2012. Later it was displayed at St Alban’s Cathedral and then gifted to Barnet parish church.

An earlier series of eight paintings by West, The Story of the Passion, was first shown at St Alban’s Cathedral in 2008, then St James’s Church, Picadilly and St Margaret’s, Westminster.

He is now working on a new small oil painting of Madonna and Child which has been commissioned for St John’s by the team vicar Father Sam Rossiter-Peters, and which will be hung in the Ravenscroft chapel together with his other painting, Majestas Domini (Christ in Glory).

“Father Sam wants the Madonna and Child to be culturally correct. I have just done the drawing. The baby’s arms are up which would be an anticipation of the crucifixion, and which would marry my Christ in Glory painting.”

West’s lifetime fascination with religious paintings began at the age of 16 on a school trip to the National Gallery when he first saw Caravaggio’s The Supper at Emmaus and realised it was different from every other painting in the gallery.

“When I became an art student, I went all over Italy to see every Caravaggio I could find, as well as to Dublin and New York. I think I have seen everyone.

“There are quite a few gaps in Caravaggio’s life story with all the tensions his immense talents and unique vision caused him throughout his career.

“From envious competitors who resented his popularity and cardinals who recognised his genius but objected to casting the poor as saints and a prostitute as the Virgin Mary.

“Art historians can’t speculate about these gaps and incidents, but a novelist can.”

Cecco, Caravaggio’s model, was the only companion of his Roman years to accompany the master into exile after the duel in which Caravaggio’s opponent, Ranuccio Tomassoni was killed.

It was after he was abandoned in Naples when Caravaggio left for Malta, that Cecco appears to have begun painting commissions.

West’s novel brings Cecco to life in an imagined career pulled together from scraps of information and a catalogue of paintings which indicated he was a talented painter.

Historical novel about famous Italian painter Caravaggio written by High Barnet artist and painter is launched at Barnet parish church

Caravaggio’s Boy, published by Vanguard Press, £14.99, available from Waterstones and Amazon

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Adventurous programme of lakeside concerts is planned for this summer in support of Monken Hadley Common 

Preparations are well underway for the most ambitious programme so far for the popular summer season of concerts beside Jack’s Lake at Monken Hadley Common.

Since the festival was launched in 2021, there has been ever growing support for the open-air musical evenings which are held in a woodland glade beside the lake.

Ilona Domnich (above right), the New Barnet opera singer whose idea it was to give people an opportunity to enjoy music and nature in a magical setting, has arranged dates for four concerts over weekends in June, July and August.

Her aim this summer is to feature more singers from musical theatre, to explore the versatility of the voice, and to include a greater variety of instruments for the chamber music.

Andrew Walker (above, left), chair of the Monken Hadley Common Trust which hosts the concerts, believes the expanded programme will appeal to a wider section of the community and increase attendance.

“We hope the concerts will bring along people who perhaps have never been to the common before.

“That will help us spread the word that the Hadley Common Trust which cares for the woods and lake is run entirely by volunteers.”

The concerts are free, but cash and card donations (£15 suggested minimum per adult) will be collected.

Proceeds will be shared between the trust for the upkeep of the common and for a bursary for a young musician at the World Heart Beat Music Academy in Nine Elms.

The four concerts will be on Saturday 14 June at 7pm; Sunday 6 July at 7pm; Sunday 20 July at 6.30pm; and Sunday 3 August at 6.30pm.

This summer’s theme is to explore different genres with concerts which explore the versatility of the voice in opera and musicals and bring in more musical instruments.

Ilona will be accompanied by Charles Mutter, leader of the BBC Concert Orchestra as well as other talented musicians. All being well they will include a harpist and an accordionist.

“We want the concerts to appeal to a wider audience and attract people who have never been before.”

Each summer Ilona finds the concerts are introducing people to classical music for the first time, including the anglers from the Hadley Angling and Preservation Society who share use of the lake.

“Often, after the concerts, anglers fishing around the lake come along and thank us. One told me that he usually listens to hard metal or rock but had loved the classical music and opera.”

For more details about the Jack’s Lake contacts: https://ilonadomnich.com/projects/hadley-woods-festival-music-on-jacks-lake/

Andrew said the importance of the concerts was that they introduce more people to the common and that gives the trust a chance to spread the word about how the upkeep of the common depends on volunteers.

“There is always a new challenge for us, trimming trees, maintaining footpaths, and looking after the dam to the lake and the weir – all sorts of different tasks.”

“The trust is a charitable institution, and it is the members who elect the trustees who are responsible for the common, so we are always looking for new members to come and join us.

“Holding concerts beside the lake is just one of the ways we can raise our profile and attract the attention of people who can give us financial support or join a working party.

“What better way to get to know Hadley Common than bring along a picnic and a bottle of wine or whatever and sit beside the lake and listen to amazing classical musicians.

“It is a chance to make a donation towards caring for the commons and supporting a bursary for a young musician.”

For details on how to join the Hadley Common Trust or to become a benefactor or concert sponsor go to the trust’s website www.mhctrust.org.uk or email treasurer@mhctrust.org.uk

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Fundraising Dinner

Join the Barnet Society for a fun evening, of delicious food, a raffle and a chance to meet like minded people to talk about local issues.

On Tuesday 21 March at 7pm we will be holding a fundraising dinner at Melange 135 High Street in High Barnet. The cost of the three-course meal will be £35 which includes Starter, Main Course, Dessert, service charge and your donation to The Barnet Society. (As our costs have increased, we have sadly had to raise our price slightly.)

Payment can be made here by credit or debit card or through your PayPal account. Alternatively, if you wish to pay by cheque or bank transfer, please email info@barnetsociety.org.uk to arrange.

Once you have paid, please email info@barnetsociety.org.uk to confirm your attendance and to receive the menu.

The deadline for reservations and menu selection is 14 March so please reserve your places soon to avoid disappointment. Raffle prizes will include some fine wines and delicious treats. All money raised will go towards the work of the Barnet Society to support our local community. We look forward to seeing you at Melange on the 21st March!

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Advice wanted on widening the Bull Theatre’s repertoire

There could hardly be a more opportune moment for a determined push to host new productions and attractions at the Bull Theatre in the hope they might appeal to audiences in High Barnet and widen public support.

In view of the nationwide theatre shutdown imposed by the coronavirus crisis, numerous events will have to be rescheduled and organisers are being reminded that there is an ideal town centre location available for hire.

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Battle of Barnet: beaten by coronavirus

Barnet’s highly successful medieval festival, due to have been staged during the last weekend in May, is just one of the many local events that are having to be postponed or cancelled because of the coronavirus crisis. 

Organisers have rescheduled this year’s festival from its original date of May 30-31 to the weekend of September 19-20.

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Former Barnet MP dies

Family, friends and constituents have been paying tribute to Sir Sydney Chapman, the former Conservative MP for Chipping Barnet for just over a quarter of a century, who died in early October.

His funeral was held (22.10.2014) at St Mary’s Church, Lower Heyford, Oxfordshire, where he had lived for some years since his retirement from politics.

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